โ€œHow the Word is Passedโ€ by Clint Smith
c.2021, Little, Brown
$29
352 pages


โ€œChasing Me to My Grave: An Artistโ€™s Memoir of the Jim Crow Southโ€ by Winfred Rembert, as told to Erin I. Kelly, foreword by Bryan Stevenson
c.2021, Bloomsbury
$30
285 pages

History, they say, repeats itself.

Look back a few hundred years, and you can see corresponding events, worldwide and through time. Parallels are interesting to spot; some people might even take them as a warning, so that atrocities, inhumanities, and just plain wrong things donโ€™t happen again. And sometimes, as in these two books, just learning about historical events can be an eye-opening thing โ€ฆ

The history of America cannot be told without slavery in every cranny of the tale. In โ€œHow the Word is Passedโ€ by Clint Smith, readers travel with the author to several places around the country where slavery still lays open and waiting for its part to be included.

When the subject of slavery comes up, itโ€™s often rarely mentioned that transatlantic slavery was outlawed nearly six decades before the end of the Civil War. Of course, that never stopped the import of human beings, but it did change the way that slaves were acquired. The city of New Orleans had a big hand in slaveownersโ€™ acquisition, and when Smith traveled there, he found that the city is working on a reckoning with its past.

Thatโ€™s just one place that Smith visited, in an effort to offer readers a wide-reaching look at how slavery sits within our collective story, in places that history books donโ€™t always mention. Thereโ€™s irony in the story of slavery at Monticello, where Thomas Jefferson wrote at length about liberty while he kept slaves. Smith writes of the Whitney Plantation, where visitors can today see what slavery was like two centuries ago. He writes about slavery in our cities, our prisons and even in death. This trip around the country and through time gives this book a quiet appeal thatโ€™s especially relevant for today.

Understanding may come faster when the story is told first-person, as it is in โ€œChasing Me to My Grave: An Artistโ€™s Memoir of the Jim Crow Southโ€ by Winfred Rembert, as told to Erin I. Kelly.

He didnโ€™t remember exactly why heโ€™d been arrested that first time.

Winfred Rembert was โ€œonly eight or nine years oldโ€ but it might have been about a fight. That once, the Sheriff made it all into a game but by the time Rembert was a teenager, being arrested for no reason but Black was a common thing.

After that, it seemed the police were always after him for something. He grew up in Georgia and picked cotton almost as soon as he was old enough to walk. As soon as he was old enough to run, he ran away from home and the police were looking for him. He joined the civil rights movement and the police caught up with him โ€ฆ

Filled with a personal story told casually and colorfully reproduced artwork, you may find this book to be a keepsake. And if you want more books like it, or the Smith book, be sure to ask your favorite bookseller or librarian. Theyโ€™ve got ideas for Black history books youโ€™ll want to page through, repeatedly.

This correspondent is a guest contributor to The Washington Informer.

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