The enlarged wood-cut replicas of fiat money and plump, brown cash bags bordering the doorway of Diego Montoya’s Maryland-based studio suggest the artist (also known as “Dieglo”) is acutely aware of commoditization.
The enlarged wood-cut replicas of fiat money and plump, brown cash bags bordering the doorway of Diego Montoya’s Maryland-based studio suggest the artist (also known as “Dieglo”) is acutely aware of commoditization.
Be the first to know: Stories from The Washington Informer in your inbox each weekday.
We'll send a verification code to %EMAIL%.
Get the best of The Washington Informer directly in your email inbox.
Sending to: