Viviana Goodwin sings at The Washington National Opera's spring preview of "Treemonisha" and "The Crucible" at Busboys and Poets Takoma in Washington, D.C., on Thursday, Feb. 26. (Demarco Rush/The Washington Informer)

Before the curtain rises at Lisner Auditorium this weekend, Washington Informer readers received a first look at the Washington National Opera’s (WNO) adaptations of โ€œTreemonishaโ€ and โ€œThe Crucibleโ€ at Busboys and Poets Takoma in Washington.

The Washington National Opera, in partnership with The Washington Informer, hosted a Spring Preview Performance and Q&A on Thursday, Feb. 26, from 6 to 8:30 p.m.

The evening featured preview excerpts from โ€œTreemonisha,โ€ the only surviving opera by Scott Joplin, and โ€œThe Crucible,โ€ the timeless drama centered on the Salem witch trials โ€” both coming to the nationโ€™s capital this month.

Three-time Grammy Award-winning mezzo-soprano Jโ€™Nai Bridges, who sings the role of Elizabeth Proctor in โ€œThe Crucible,โ€ said she was eager to perform ahead of opening night.

J’Nai Bridges sings at The Washington National Opera’s spring preview of “Treemonisha” and “The Crucible” at Busboys and Poets Takoma in Washington, D.C., on Thursday, Feb. 26. (Demarco Rush/The Washington Informer)

โ€œIโ€™m very excited to be back in the D.C. area to sing with this incredible opera company,โ€ she told The Informer. โ€œWe came out to bring opera to the community in hopes that they will come out to the opera. I know they will.โ€

Bridges said the role has been emotionally demanding, as her character navigates her husbandโ€™s infidelity and accusations of witchcraft during a deeply polarized time.

โ€œPreparing for this role has been quite emotional, itโ€™s intense,โ€ she said.

Originally composed in 1911, โ€œTreemonishaโ€ follows a young Black woman who leads her community through education and empowerment โ€” themes that continue to resonate more than a century later.

WNOโ€™s staging brings renewed energy to the ragtime-infused opera, underscoring its cultural and historical significance.

Viviana Goodwin, the soprano who sings the title role in โ€œTreemonisha,โ€ described the production process as both demanding and exhilarating.

J’Nai Bridges (right) and Kelsey Nicole Nelson have a conversation at The Washington National Opera’s spring preview of “Treemonisha” and “The Crucible” at Busboys and Poets Takoma in Washington, D.C., on Thursday, Feb. 26. (Demarco Rush/The Washington Informer)

โ€œThe rehearsal process has been a whirlwind,โ€ Goodwin told The Informer.

Meanwhile, Fox sports reporter Kelsey Nicole Nelson, who hosted the Feb. 26 event, praised the opportunity to highlight Black artists in an often underrepresented field.

โ€œTo end Black History Month with a bang like this, itโ€™s nothing greater,โ€ Nelson told The Informer. โ€œThe arts have such an important role, and I love things that connect people.โ€ 

With โ€œTreemonishaโ€ kicking off the run this weekend, Goodwin touted hopes for the adaptation, premiering at Lisner Auditorium March 7, 8 and 15.

โ€œI hope that [everyone] here comes out to see the show. Itโ€™s going to be a fantastic production,โ€ Goodwin said. โ€œWe [wanted] to reach out to the community and just share some of the story with them.โ€

Demarco Rush is a Contributing Writer and Video Producer with the Washington Informer. He previously was an intern for the Informer through the MDDC Foundation after graduating from Pennsylvania State...

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