Revered as America’s “King of Ragtime,” African American composer Scott Joplin penned “Treemonisha” in 1911, not knowing it’d tell the story of academic freedom across generations.
Now, more than a century later and with a reimagined take, the Washington National Opera (WNO) is bringing a newly commissioned adaptation to its new home at Lisner Auditorium March 7, 8 and 15.
Set in 1884, “Treemonisha” follows an educated freedwoman as she navigates the realities of post-Reconstruction — from challenging superstitions to establishing leadership and the values of education for both men and women.
Much like the spirit of endurance woven in the characters, the WNO debut promises a “reinvigorating, refreshing, and revitalizing” experience, said composer Damien Sneed, who teamed up with playwright Kyle Bass under the direction of recently retired mezzo-soprano Denyce Graves for the adaptation.
In addition to blending traditional operatic elements with ragtime, Black folk-songs, spirituals, and ballet, the production highlights the valuable foundation of education in American history.
Tickets are on sale. All performances take place at Lisner Auditorium, 730 21st St. NW, Washington, DC 20037. The March 7 performance begins at 7 p.m., with additional performances at noon on March 8 and March 15.
