Revered as America’s “King of Ragtime,” Scott Joplin penned “Treemonisha” in 1911, not knowing it would tell the story of academic freedom and leadership across generations.
Now, more than a century later and with a reimagined take, Washington National Opera is bringing a newly commissioned adaptation to Lisner Auditorium March 7, 8 and 15.
Set in 1884, “Treemonisha” follows an educated freedwoman on a former plantation as she navigates the realities of post-Reconstruction — from challenging superstitions to defying “conjurers” — while establishing leadership and affirming the value of education for both men and women.
Much like the spirit of endurance woven into the characters, the WNO debut promises a “reinvigorating, refreshing, and revitalizing” experience, said composer Damien Sneed, who provides the musical arrangement and orchestration. Sneed teamed up with playwright Kyle Bass, who contributed dialogue and additional lyrics, under the direction of legendary mezzo-soprano Denyce Graves for the adaptation.
Music and libretto are by Joplin, composed in 1910, and the production is performed in English with projected English titles.
Leading the cast is soprano Viviana Goodwin in the title role of Treemonisha. She is joined by Justin Austin as Remus and Tichina Vaughn as Monisha. Jonathan Pierce Rhodes portrays Zodzetrick, with Kevin Short as Ned, Nina Evelyn as Lucy, Angeli Ferrette as Ella, Brittani McNeill as Rose and Alexandria Crichlow as Beth.
The ensemble also includes Hakeem Henderson as Andy, Ernest Jackson as Cephus, Nicholas LaGesse as Parson Alltalk, Thandolwethu Mamba as Simon and Jim Williams as Luddud.
In addition to blending traditional operatic elements with ragtime, Black folk songs, spirituals and ballet, the production highlights the foundational role of education in American history — a theme that continues to resonate.
All shows take place at Lisner Auditorium, 730 21st St. NW, Washington, DC 20037. The March 7 show is at 7 p.m., and noon on March 8 and 15.
