Doug Brown as Bono and Craig Wallace as Troy. (Courtesy photo/Scott Suchman, Ford's Theatre)
Doug Brown as Bono and Craig Wallace as Troy. (Courtesy photo/Scott Suchman, Ford's Theatre)

On Oct. 2, the anniversary of playwright August Wilsonโ€™s death, his Pulitzer Prize-winning drama โ€œFencesโ€ began a run at Fordโ€™s Theatre in D.C.

The play, set in 1950s Pittsburgh, tells the story of a working-class Black man named Troy Maxson and his family. โ€œFencesโ€ is part of Wilsonโ€™s 10-play โ€œPittsburgh Cycleโ€ โ€” a series dedicated to portraying varying aspects of the Black experience.

The production is directed by Timothy Douglas, one of the foremost interpreters of Wilsonโ€™s work. Douglas is making his Fordโ€™s debut and has directed nine of the 10 plays that chronicle 100 years of the African-American experience.

โ€œThis is August Wilsonโ€™s most powerful play,โ€ said D.C. Del. Eleanor Holmes Norton. โ€œIt is timeless and layered. Every time I see the play, it feels like the first time.โ€

Craig Wallace is flawless in his performance of the lead Troy Maxson, especially when it comes to his interactions with son Cory Maxson, played by Justin Weaks.

In the play, Troy is a strong man who makes hard choices with painful consequences for those closest to him, especially Cory. Because of that, Wallace and Weaks must capture the oft-contentious relationship between father and son.

โ€œIt talks about the importance of breaking cycles,โ€ said Teresa Roseborough of Atlanta. โ€œAll of us have felt that in our own families. It has a lot of poignancy being able witness it onstage with such amazing actors.โ€

Wallace has stepped into Troyโ€™s shoes before and two seasons ago he portrayed Willy Loman in โ€œDeath of a Salesman,โ€ another tragic hero of Shakespearean proportions. Like Willy, Troy is a man reconciling with his unfulfilled dreams and struggling with the difference between love and responsibility.

โ€œI love the way that Wilson works with language,โ€ said Jennifer Anderson of Northeast. โ€œHe can take us from gritty street language to poetry and it all flows together. Itโ€™s musical.โ€

Erika Rose gives a moving performance as Rose Maxson whose loving, generous spirit masks a profound and formidable inner strength. She is a counterbalance to Troyโ€™s ferocity, facing her own agonizing choices but guided by love and compassion.

โ€œItโ€™s an honor to be here tonight,โ€ says Sakina Ansari, August Wilsonโ€™s daughter. โ€œHis legacy, hard work and dedication still lives on.โ€

โ€œFencesโ€ runs until Oct. 27 at Fordโ€™s Theatre (511 Tenth Street NW).

This correspondent is a guest contributor to The Washington Informer.

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