Andy Shallal, owner of Busboys and Poets and author of "A Seat at the Table: The Making of Busboys and Poets," signs copies after a panel discussion at the restaurant's Anacostia location on Sept. 30. (Ja'Mon Jackson/The Washington Informer)

Fifty people crowded into the Marion S. Barry Room at Busboys and Poets in Anacostia on Sept. 30 to listen to a panel discussing the new book that tells the story behind the very place they were gathered: Andy Shallalโ€™s โ€œA Seat at the Table: The Making of Busboys and Poets.โ€

With eight locations throughout D.C., Maryland and Virginia, the event honored the Busboys and Poets journey, while using the gathering at the Anacostia location to highlight one of Ward 8โ€™s longtime activists: Philip Pannell, who moderated the panel and turned 75 that same day.

Shallal said the creation of Busboys and Poets came about with his desire to mix politics, food and art together.

โ€œI said to myself about 22 years ago, what would you have if you had all three of those things in one place,โ€ he said, during the panel discussion, featuring journalists Kojo Nnamdi, Sam Ford along with Denise Rolark Barnes, publisher of The Washington Informer. โ€œThatโ€™s when I formulated the idea of Busboys and Poets.โ€

From left: Ward 8 community activist Philip Pannell, Andy Shallal, author and owner of Busboys and Poets, and journalists Kojo Nnamdi, Sam Ford and Denise Rolark Barnes, publisher of The Washington Informer, hold copies of Shallal’s book, “A Seat at the Table: The Making of Busboys and Poets,” at Busboys and Poets’ Anacostia location at Sept. 30. (Ja’Mon Jackson/The Washington Informer)

Attendees such as D.C. Attorney General Brian L. Schwalb and Ward 8C Advisory Neighborhood Commission Chair Salim Adofo listened to Shallal talk about how his life journey and commitment to progressive causes influenced the book, which has a foreword written by civil and human rights scholar and leader Angela Davis.

Davis said the bookโ€™s release could not be more timely, as progressive ideas are under attack and civil rights efforts are being reversed and eliminated on the federal and local levels.

โ€œโ€˜A Seat at The Tableโ€™ reveals the depth of this commitment and allows us to understand how Andyโ€™s continued support of artists, poets and writers, and his and Busboys facilitation of community-based movement building, exemplifies what we can all do to continue to safeguard radical democratic possibilities for our worlds,โ€ said Davis. โ€œIn this particular moment, that commitment will be more important than ever.โ€

Shallal Tells It Like It Is in ‘A Seat at the Tableโ€™

To start off the discussion, Pannell asked the journalists for one word to describe the book. In response, Nnamdi said โ€œbelongingโ€, Ford said โ€œstruggleโ€ and Barnes said โ€œlegacy.โ€

Shallal then launched into his journey as an Iraqi American and young man in the 1960s.

โ€œMy father worked with the Arab League,โ€ he said, referring to a group of Arab countries in the middle of the 20th century. โ€œHe was appointed by the league as their representative in the U.S.โ€

Shallal said that while in high school, his classmates, most of them white, could not figure out what racial group he belonged to. He noted that when he arrived in the U.S. for the first time, an uncle said he looked โ€œlike a Negroโ€ and โ€œhe badgered me about it.โ€

He also offered stories of his struggle fitting in soliciting both and empathy and laughter from the panelists and crowd. The Busboys and Poets owner said when he attended Stratford Junior High School in Arlington, Virginia, he was referred to as โ€œhigh yellow,โ€ and added that while in school, he tried to get people to call him by his real name, Anas, but one schoolmate who befriended him kept referring to him as โ€œAnus.โ€

The entrepreneur, artist and activist also talked about the assassination of the Rev. Dr. Martin Luther King Jr., in 1968, and how that changed his overall outlook.

โ€œI saw race in a different view,โ€ he said, โ€œand what America is all about.โ€

Race seemed to continue to play a factor as he tried to open his now successful restaurant chain. The restaurateur told the crowd many banks initially did not like the idea of Busboys and Poets and rejected him. However, the Black-owned Industrial Bank did not. 

Twenty years after Busboys and Poets was founded on 14th Street NW in September 2005, Shallal is often seen at his multiple locations throughout the DMV and advocating for various justice causes. 

While he acknowledges he is a hard worker, his passion behind the work keeps him going.

โ€œI hate the word โ€˜workaholic,โ€™โ€ Shallal said. โ€œIn order to be successful, you have to love what you do.โ€

Pannell Gets His Flowers

As the moderator, Pannell closed the conversation urging the audience to thank the panelists and buy Shallalโ€™s book.  However, Shallal used the moment to show appreciation for Pannellโ€™s years of dedicated service to justice and equity in the District, nation and beyond.

โ€œPhil, you have been a drum major in my life,โ€ Shallal said.

He also revealed that Pannell accepted an academic stint at the Harvard Executive Program, celebrating all that he can contribute in this new role.

โ€œItโ€™s not what Harvard can do for you,โ€ Shallal said, โ€œbut what you can do for Harvard.โ€

As the entrepreneur and crowd celebrated the moderatorโ€™s 75th birthday, Pannell uplifted the work of Shallal and Busboys and Poets.

โ€œIt has been 20 years since you opened Busboys and Poets,โ€ Pannell said. โ€œIf there were more businessmen and businesswomen like Andy Shallal, a lot of problems in this city would evaporate.โ€

James Wright Jr. is the D.C. political reporter for the Washington Informer Newspaper. He has worked for the Washington AFRO-American Newspaper as a reporter, city editor and freelance writer and The Washington...

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