Wallace Roney
Wallace Roney (Courtesy of WBGO)

Wallace Roney, a trumpeter and composer who embodied the harmonically restive side of post-bop throughout an illustrious four-decade career, died March 31 at St. Joseph’s University Medical Center in Paterson, N.J. He was 59.

The cause was complications from COVID-19, according to his fiancée, Dawn Felice Jones. She said Roney had been admitted to the hospital last Wednesday.

Roney first rose to prominence as a sharp young steward of the modern jazz tradition, winning national awards in his early 20s and joining several high-profile bands. But it was a public benediction by his idol and mentor, Miles Davis, that catapulted him into a rare stratum of jazz celebrity.

That moment, retold in the recent film Miles Davis: Birth of the Cool, took place at the 1991 Montreux Jazz Festival. Producer Quincy Jones had arranged for Davis to revisit his orchestral albums Sketches of Spain and Porgy and Bess, and Roney was enlisted to play the trumpet solos in rehearsal. Davis insisted that Roney also join him onstage, where he instinctively jumped in to handle some of the more technically demanding parts, and implicitly joined a chain of succession. He won his lone Grammy award alongside the surviving members of the Miles Davis Quintet for a 1994 album called “A Tribute to Miles.”

At the same time, Roney was an artist of granite resolve, exacting standards and his own unswerving compass. Critic Stanley Crouch once pronounced him “one of the best bandleaders in the music,” in spite of any comparisons to Davis. “What one hears is a manipulation of the simple and the complex as well as a conception of improvising in which forms and approaches can be reordered on the spot,” Crouch added, in a feature for The New York Times.

Wallace Roney was born on May 25, 1960, in Philadelphia. His father, also named Wallace Roney, was a U.S. Marshal who imparted an early admiration for Miles Davis; his mother, Roberta Sherman, favored Thelonious Monk. He had perfect pitch as a child and began trumpet lessons at age 5. By 12 he was the youngest member of The Philadelphia Brass, a prominent classical brass quintet. During this time, he came under the tutelage of Clark Terry, the first of his major jazz mentors.

By his teens, Roney’s family was based in Washington, D.C., where he attended the Duke Ellington School of the Arts, before earning degrees from Howard University and the Berklee College of Music.

It wasn’t long before Roney was turning heads, first on the local scene and then in New York. He circulated widely as a teenager, working with an honor roll of elders. One of those, drummer Art Blakey, brought him into the Jazz Messengers, which was widely known as a finishing school for top talent. (Roney succeeded Terence Blanchard in a trumpet chair that had also recently been occupied by Wynton Marsalis.)

Roney and fellow musician Geri Allen were married in 1995 and for a time they routinely appeared in each other’s bands. Their marriage ended in divorce and Allen died in 2017. Their children, Barbara and Wallace Jr. are among Roney’s surviving family. Survivors also include a stepdaughter, Laila Bansaiz; Jones, his life partner of more than a decade; his grandmother, Rosezell Roney; two brothers, Antoine Roney and Michael Majett; and three sisters, Crystal Roney, Marla Majett and April Petus.

WI Guest Author

This correspondent is a guest contributor to The Washington Informer.

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