Greed, romance, misguided wishes, incest, death, reincarnation, and a few laughs against the imagery of water are a lot to figure out in “Metamorphoses,” a new production at the Folger Theatre. This sounds like a lot to take in, but that’s part of the enjoyable attraction of “Metamorphoses,” which runs until June 16.
This production of “Metamorphoses” consists of 15 books. Almost every cast member plays multiple roles. That sounds like a lot, but the play is less than 90 minutes long.
This production features an all-Black cast for the first time in Folger Theatre’s history.
“This production aims to celebrate Black life and culture through the lens of Mary Zimmerman’s marvelous script,” explained director Psalmayene 24.
Adapter and playwright Zimmerman molded Roman poet Ovid’s “Metamorphoses” for the stage.
Ovid’s play is said to have been one of Shakespeare’s favorites.
Director Psalmayene 24 brought African diaspora content to the production, opening the play with an African dance led by a Water Nymph character.
The stage design by Lawrence E. Motten, III, makes great use of cascading stairs to increase the impact of key characters changing the mood between vignettes. To give a contemporary feel to scene changes, Psalm incorporates various R&B and Black pop hits like a mashup of James Brown and Michael Jackson, then Rotary Connection for the wrapup.
“Metamorphoses” at the award-winning Folger Theatre should be seen. It is a fast-paced play that says a lot about the path your mind and heart can take you.
For tickets and performance schedules, go to Folger Theatre at folger.edu.
